“Of Hull and Hush”
“Of Hull and Hush” turned an abandoned marina building on the Rondout in Connelly, New York into a temporary chamber for sound, shadow, and scale. For one weekend, artists responded directly to the architecture, creating works that sat quietly inside its history.
The space itself became the material. Concrete floors held the echo of engines long gone, while the high, skeletal rafters carried every whisper and footstep. Visitors wandered through the cavernous interior, guided by light, sound, and the building’s natural acoustics. Each piece settled into the architecture like something the space had been waiting to reveal. Digital screens played videos of artists in the throes of their creative process, introducing the creator and pulling in the viewer. And while the visceral activation lasted two days, the imprint stayed.
