For Artists
Join Us
Site Seen invites artists who are curious about exhibiting in unusual spaces. Each activation asks something different from the people who take part. Some artists install work. Some build on site. We review work for installations, sculpture, 2D work, photography, video, performance, and site-responsive pieces. If you would like to be considered, send us your details and a small selection of your work through this form.
How It Works
Our activations take place in buildings that are between lives. Former storefronts. Empty industrial spaces. A marina building. A tattoo parlor. Each project lasts a short time and requires flexibility, imagination, and a sense of belonging to a community of artists. We review submissions throughout the year and reach out when a space aligns with your work.
What We Look For
Artists who want to engage with the architecture of a space
Work that can adapt to a temporary environment
Sculptors, installation artists, sound artists, 2D artists, photographers, performers
People who are comfortable working with the unknown
A willingness to collaborate with the site itself
What We Provide
A space with character
Promotion through Site Seen platforms
Community engagement
Support during installation
Documentation of the activation
Submit Your Work
Show us what you create in order to be considered for future activations. Add your voice to the next Site Seen project.
Submissions include up to five images. A $50 fee supports the cost of reviewing work and helps fund future activations. Please make sure your materials are complete before moving on. Submit your information through the form below, then continue to cover the $50 submission fee (https://www.siteseenarts.org/shop-to-support/p/artist-submission-fee). Find the button below the submission form.
We review only completed submissions, which include this completed form and the submission review fee.
Complete the form above, then proceed to pay the $50 submission fee. Your submission is reviewed only when both steps are finished.
